American interest in Russian film is on the wane. It has been a couple of years since The Russian Ark played in art houses, and the last year featured only The Return by Andrei Zvyagintzev, a Tarkovsky Lite effort that had been picked on the strength of the Best Film award at Venice Film Festival. It safely vanished from the same art houses after about a day and a half. Last year's Russian Film Week in New York was utterly forgettable, featuring mostly nondescript thrillers.