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<font size="4"><br>The Aviator</font>
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<br>movie review by Gary Johnson</font>
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<p>Anyone familiar with Martin Scorsese's career knows he isn't afraid of pointing his camera at the less attractive side of life, as evidenced by movies such as <i>Taxi Driver</i>, <i>Raging Bull</i>, and <i>Mean Streets</i>. With <i>The Aviator</i>, however, Scorsese is primarily interested in Hughes' amazing energy and his all-consuming desire to redefine the history of aviation. Beginning with Hughes' attempt to film a WWI drama about fighter pilots, Scorsese shows us the extreme measures that Hughes took to capture his vision on film.
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