Rarely has a movie been as prescient about technology (and our response to that technology) as David Cronenberg's Videodrome. Cronenberg envisioned a world where the communications medium directly impacted the viewer, even changing the viewer physically so that interaction could be made easier yet. In Videodrome these changes take their most notorious form as a slit that develops in the protagonist's stomach, turning him into a VCR in which videotapes (programming) can be inserted that will directly influence his actions.