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<font size="2"><p>Book Review
<font size="4"><br>Hollywood Hex</font>
<br>book review by David Ng</font>
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<p><font size="6" color="#FF0000"><b>T</b></font>inseltown is a nightmare factory, or so you’ll come to believe after reading <i>Hollywood Hex</i>, a new book that documents how movies can sometimes assume a life of their own and mercilessly devour those closest to them. Author Mikita Brottman assembles a list of eclectic films starting with <i>Rosemary’s Baby</i> and ending with <i>The Crow</i>. But the focal points of fascination seem to lie in two of the most disturbing films of the 1970’s: Roman Polanski’s <i>Macbeth</i> and William Friedkin’s <i>The Exorcist</i>.
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