I N   S E A R C H   O F   M A S C U L I N I T Y
A R T I C L E   B Y   A N N   B A R R O W

 
Notes

Note 1: Slotkin, Richard. Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America. New York: Atheneum, 1992. 121. BACK |

Note 2: Fiske, John. Media Matters: Race and Gender in U.S. Politics. Minneapolis, MN: University of Minnesota Press, 1996. 2. BACK |

Note 3: Sennett, Ted. Great Hollywood Westerns (1990). New York: Harry N. Abrams, Inc., 1992. 258. BACK |

Note 4: Fiske. Introduction to Communication Studies (1982). New York: Routledge, 1990. 176. BACK |

Note 5: Wright, Will. The Wild West: The Mythical Cowboy & Social Theory. London: Sage Publications, 2001. 21. BACK |

Note 6: Fiore, R. L. "The Picaresque Tradition in Midnight Cowboy." Literature/Film Quarterly 3: 3 (1975) : 270. BACK |

Note 7: Frye, Northrop. Anatomy of Criticism (1957). New Jersey: Princeton University Press, 2000. 223. BACK |

Note 8: Benjamin, Walter. "A Berlin Chronicle." Reflections: Essays, Aphorisms, Autobiographical Writings. Ed. Peter Demetz. Trans. Edmund Jephcott. New York: Schocken Books, 1978. 7. BACK |

Note 9: Jauss, Hans Robert. Aesthetic Experience and Literary Hermeneutics. Trans. Michael Shaw. Minneapolis MN: The University of Minnesota, 1982. BACK |

Note 10: Leonard,Garry. "Interview: 'The Western Genre.'" Unpublished, 2001. BACK |

Note 11: Riley, M. M. "'I Both Hate and Love What I Do': An Interview with John Schlesinger." Literature Film Quarterly 6.2 (1978): 106-08. BACK |