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Works Cited

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Craig Calhoun, ed, "Social Theory and the Politics of Identity" in Social Theory and the Politics of Identity (Cambridge: Blackwell Publishers, 1994). 9-36

Fiore, R. L. "The Picaresque Tradition in Midnight Cowboy." Literature/Film Quarterly 3: 3 (1975) : 270-275.

Fiske, John. Media Matters: Race and Gender in U.S. Politics. Minneapolis, MN: University of Minnesota Press, 1996.

---- Introduction to Communication Studies (1982). New York: Routledge, 1990.

Frye, Northrop. Anatomy of Criticism (1957). New Jersey: Princeton University Press, 2000.

Hud (Martin Ritt, dir., and prod. Paramount, 1963).

Jauss, Hans Robert. Aesthetic Experience and Literary Hermeneutics. Trans. Michael Shaw. Minneapolis MN: The University of Minnesota, 1982.

Leonard,Garry. "Interview: 'The Western Genre.'" Unpublished, 2001.

Midnight Cowboy (John Schlesinger, dir., United Artist, 1969).

Miller, Gabriel Miller. "The Death of the Western Hero: Martin Ritt's Hud and Hombre" in Film Criticism XX:3 (1996) : 34-44.

Riley, M. M. "'I Both Hate and Love What I Do': An Interview with John Schlesinger." Literature Film Quarterly 6.2 (1978): 106-08.

Sennett, Ted. Great Hollywood Westerns (1990). New York: Harry N. Abrams, Inc., 1992.

Slotkin, Richard. Gunfighter Nation: The Myth of the Frontier in Twentieth-Century America. New York: Atheneum, 1992.

Wright, Will. The Wild West: The Mythical Cowboy & Social Theory. London: Sage Publications, 2001.