[click on photos HEAR THE PLEASANT VALLEY BOYS PLAY THE THEME SONG FROM TWO THOUSAND MANIACS! THIS AUDIO CLIP REQUIRES
| With Blood Feast, the team of Herschell Gordon Lewis and David F. Friedman had hit box-office gold. A follow-up was practically mandated. But the duo
didn't immediately rush out and provide more of the same. Instead, they took
advantage of the considerable profits in order to give their next
production improved on-screen value.
The Blood Feast screenplay (by A. Louise Downe) had been little more than
a joke--an excuse to string together a series of gruesome set-pieces. Even
Lewis's so-called "novelization" of the film was an out-and-out lampoon,
featuring characters (Officer "Bull" Schitt, anyone?) and incidents far
removed from the actual film. But for the follow-up, Lewis wondered what
would happen if the innovation of graphic gore was applied to a legitimately
"good" film, which he would script (and again novelize) himself. On the
strength of the previous work's success, Lewis and Friedman easily obtained
the financing for the superior camera equipment, lab work, construction,
etc. needed to realize this story--a story inspired by, of all things, the
musical Brigadoon!
Two Thousand Maniacs! is set in the community of Pleasant Valley--a
Confederate town wiped out by Yankee soldiers during a Civil War massacre.
Like the mythical Brigadoon, Pleasant Valley can return to life once every
hundred years. As the title song tells us, "...the South's gonna rise
again!" The centennial celebration is about to begin, and the "guests of
honor" will be any Northerners the citizens can manage to snare with a phony
detour from a nearby highway. As it happens, they catch six unsuspecting Yanks--among
them Blood Feast returnees Thomas Wood (William Kerwin) and Connie Mason.
The annoyance of the travellers as they find themselves unable to leave
Pleasant Valley gradually turns to apprehension, and once the festivities
begin, it may be too late for them all...
There can be no question that Two Thousand Maniacs! features a far more
detailed and involving storyline than Blood Feast. Lewis's approach to the gore sequences is also different. Rather than unleash the gore immediately, Lewis lets the film build for nearly
a half-hour before springing the first shock on the audience--which occurs in the middle of a seemingly innocent "chat" scene: one character abruptly amputates the thumb of another with a jack-knife. Even
viewers who had been bracing themselves all along found themselves surprised and
aghast--and Lewis offered no respite here, either: the sequence culminates
with a community barbecue, perversely set to the tune of "Rollin' in My
Sweet Baby's Arms!"
From this point on, the film can be seen to predict the popular
"gimmick-murder" movement (best exemplified by the "Dr. Phibes" films
starring Vincent Price). The centennial celebration includes a
drawing-and-quartering by a team of horses, a "barrel roll" in which the barrel is
studded with long nails--and the showstopper, inspired by producer
Friedman's carnival days: "Old Teeterin' Rock" is stationed on an elevated platform, and the townie who throws the lucky softball (as at a carnival's dunking booth) will
send this giant boulder crashing onto the victim secured below!
Two Thousand Maniacs! remains one of Lewis's personal favorite films. It's
certainly the best film he worked on with Friedman. And although the movie's appeal
is once again strictly limited to those with strong stomachs,
it's not hard to understand why the movie has attracted a cult following.
The improvements on Blood Feast can be seen in
every department: the writing, the acting, the production values,
and Lewis's own approach as a director. Still, the effect of the film
remains difficult to describe in print. Much of the atmosphere is provided
by the soundtrack. The "Pleasant Valley Boys" (created specifically for the
film) break out the banjos for many a Southern folk song staple--not to
mention the catchy, aforementioned theme, the main verses of which are
intoned by Lewis himself. The film also benefits from the enthusiastic
participation of the townspeople themselves. On the audio commentary track of Something Weird's DVD release of Two Thousand Maniacs!,
Lewis and Friedman tell many stories regarding the cooperative
citizens of St. Cloud, Florida (a town now engulfed by Walt Disney World)
and the lengths they went to for the sake of the movie.
Something Weird's DVD features a bright, colorful transfer, but this
one, unlike the other Lewis films offered by Something Weird, came from a European PAL
source. While this decision was undoubtedly made in the interest of
obtaining the best-looking master available, it results in the film playing
at a slightly faster speed than it does in previous U.S. versions.
Therefore the running time is slightly abbreviated (though nothing has been
cut), and the pitch of the music seems a bit high. These considerations
aren't likely to spoil the film for anyone, but they bear mentioning.
Approximately sixteen minutes of silent outtake footage (scored with the
film soundtrack) are included, but this footage contains few revelations. The DVD also contains
the original theatrical trailer. Unique to this Lewis release
is the option of a French language soundtrack, which is guaranteed to amuse!
Though successful, the second "gore" film by Lewis and Friedman wasn't quite
the same box-office sensation as Blood Feast. Their next
collaboration would scale things down a bit...and it would be their final
film together.
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